Spatial audio is trying its best to take off, but the implementation of it in the likes of the Sony WH-1000XM6 seems to be holding it back.
Performances in N.Y.C. Advertisement Supported by Critic’s Notebook Immersive audio formats, while newer for pop, have been used by composers for decades. But not all works call for spatial treatment.
Most people shrug off spatial audio because they don't know what it is or have decided it's a gimmick, but others are convinced Dolby Atmos songs sound better. Here are some practical examples of that ...
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